JEFF PARKER

(Booking in North America)

WEBSITE
FACEBOOK
INSTAGRAM
TWITTER
PROMO PHOTOS
BIOGRAPHY

LINEUP:

Jeff Parker (solo): Jeff Parker- guitar

Jeff Parker & The New Breed: Jeff Parker- guitar, Josh Johnson- alto saxophone, Paul Bryan- bass guitar, Jamire Williams- drums, Nate Wolcott- trumpet.

Jeff Parker ETA IVtet: Jay Bellerose: drums & percussion, Anna Butterss: bass, Josh Johnson: alto saxophone & pedals, Jeff Parker: electric guitar & pedals

TOUR:

2025 - Available upon request

2026 - Available upon request

LATEST ALBUM:

‘FORFOLKS’ CO-RELEASED DECEMBER 2021 ON INTERNATIONAL ANTHEM AND NONESUCH RECORDS.

PREVIOUS ALBUM:

‘SUITE FOR MAX BROWN’ CO-RELEASED IN JANUARY 2020 BY INTERNATIONAL ANTHEM AND NONESUCH RECORDS.

BIO:

Jeff Parker (b. Bridgeport, Connecticut USA, April 4, 1967) is a guitarist and composer.

Jeff Parker is recognized as one of contemporary music’s most versatile and innovative electric guitarists and composers. With a prolific output characterized by musical ideas of angularity and logic, he works in a wide variety of mediums - from pop, rock and jazz to new music - using ideas informed by innovations and trends in both popular and experimental forms. He creates works that explore and exploit the contrary relationships between tradition and technology, improvisation and composition, and the familiar and the abstract.

His sonic palette may employ techniques from sample-based technologies, analog and digital synthesis, and conventional and extended techniques from over 40 years of playing the guitar.

An integral part of what has become known as “The Modern Chicago Sound”, he is a longtime member of the influential indie band Tortoise, and is also a founding member of Isotope 217˚ and Chicago Underground. A look at his extensive work as a collaborator and session musician offers a glimpse into Mr. Parker’s diversity. This list includes: Andrew Bird, Meshell Ndegeocello, Joshua Redman, Toumani Diabate, George Lewis, Bennie Maupin, Nicole Mitchell, Peter Erskine, Carmen Lundy, Makaya McCraven, Vijay Iyer, Yo La Tengo, Daniel Lanois, Brian Blade and the Fellowship Band, Jason Moran, Joey DeFrancesco, Nels Cline, Charles Earland, Ken Vandermark, Dave Douglas, Fred Anderson, Tom Zé, Clipping, and hundreds more. Parker has released several albums as a leader, all to critical acclaim, including: Like-Coping (2003), The Relatives (2005) Bright Light In Winter (2012), The New Breed (2016) Slight Freedom (2016) and Suite For Max Brown (2020). The New Breed and Slight Freedom were named two of the Top 10 Jazz releases of 2016 by The New York Times, and The New Breed was named the Top Jazz Album of 2016 in The London Observer. His latest release, Suite For Max Brown (2020), debuted at Number 1 on the Billboard Jazz Chart, and was included on numerous year-end Best Of lists, including WIRE Magazine, MAGNET Magazine, and The Guardian. Renowned contemporary music ensemble Dal Niente premiered Parker’s composition “Water On Glass” at 2017’s Ear Taxi Festival. Branching out into the role as record producer, he has worked with Jeremy Cunningham on The Weather Up There, and Paul Bryan on Cri$el Gems.

As a film composer, Parker has scored several documentaries and contributed music to feature films and video games.

He has been a member of Chicago’s Association for the Advancement of Creative Musicians (AACM) since 1995.

"Parker, probably best known as a member of the post-rock band Tortoise, has absorbed so many styles and worked in so many situations that he really comes across as an individual with vast roots." -Jazz Times Magazine 

“His sound is unmistakable, spastic and unpredictable, yet at the same time precise and refined…history will certainly reflect that he is one of the more noteworthy guitarists of his generation.” -Dusted Magazine 

“The most humble guitar-god…whether digging into instrumental rock, groove-heavy organ jazz, or post-freedom space music, Parker chooses to highlight the more eccentric elements of his personal style. Rather than morphing to fit the music at hand, he somehow creates the illusion of bending the environment to his own sound.” -Neil Tesser, chicagomusic.org

PRESS: